Broken Sea & Fable
Beginning from a shared point of departure, the two paintings evolve in different directions.
Rather than resolving into fixed forms, they remain open to shifting relationships between structure, gesture and space. Meaning emerges through movement, layering and the interaction of lines, forms and colour, allowing each painting to develop its own internal logic.
Broken Sea
Oil on canvas, 130 × 100 cm, 2026
A field of shifting connections where forms break apart and reconnect. Movement, layering and spatial relationships allow structure to emerge without ever becoming fixed.
A painting built around a form that continually changes its identity. What first appears as a figure may become an opening, a space or a trace, inviting multiple ways of seeing.
Oil on canvas 130 × 100 cm, 2026
Fable
On painting
Painting is approached as an open process rather than the execution of a predetermined image. Forms are developed, displaced, concealed and redefined over time, allowing unexpected relationships to emerge.
The work evolves through continuous negotiation between intuition and reflection. Rather than illustrating a subject, each painting develops its own internal logic through movement, rhythm and spatial relationships.
The completed painting is not an endpoint, but part of an ongoing process that may continue in other media.